From Alternet:
Last month, it was revealed that the New York Times and Manhattan publishing world were deceived by Love and Consequences, a faked memoir by a white girl who claimed to live the life you only hear about in Dr. Dre songs. The damage control was so good, the book never saw daylight, and we never knew how big of an embarrassment this cartoonishly racist gangster fantasy should have been. But last week a copy arrived at my doorstep.
Supposedly written by gangsta moll Margaret B. Jones, Love and Consequences turned out to be the work of middle-class liar Margaret Seltzer. She had invented the tale behind a laptop at Starbucks, tricking not only her publisher, but also her fans at the Times, which graced the memoir with repeated coverage.
After it was revealed her work was a forgery, the damage control was swift and successful. On March 5, with the book just out the door, the New York Times revealed the hoax, if not just how bad it was. Her agent, Faye Bender, told the paper, reassuringly, that “there was no reason to doubt her, ever.” And that set the tone for the coverage. Love & Consequences, wrote the L.A. Times, must have seemed “edgy, sexy, cinematic.”