Crosscut: “Spend Thanksgiving experiencing Native art around Seattle”

Here.

The Guardian: “Trump officials rush to mine desert haven native tribes consider holy”

Here.

Federal Court Declines to Enjoin Interior Trust Acquisition of Land for Wyandotte Nation in Kansas

Here are the materials in State of Kansas v. Bernhardt (D. Kan.):

1 Complaint

14 Motion for Preliminary Injunction

19 Response

21 Reply

22 DCT Order

Federal Court Dismisses Navajo Suit against Interior over Easement on Hopi Trust Land

Here are the materials in Navajo Nation v. Dept. of the Interior (D. Ariz.):

1 Complaint

17 Motion to Dismiss

21 Response

22 Reply

23 DCT Order

Trevor Reed on Fair Use and Cultural Appropriation of Indigenous IP

Trevor Reed has posted “Fair Use as Cultural Appropriation,” forthcoming in the California Law Review, on SSRN.

Here is the abstract:

Over the last four decades, scholars from diverse disciplines have documented a wide variety of cultural appropriations from Indigenous peoples and the harms these inflict. And yet, there are currently no federal laws other than copyright that limit the appropriation of song, dance, oral history, and other forms of intangible culture. Copyright is admittedly an imperfect fit for combatting cultural appropriations – it is a porous form of protection, allowing some publicly beneficial uses of protected works  without the consent of the copyright owner under certain exceptions, foremost being copyright’s fair use doctrine. This article evaluates fair use as a gate-keeping mechanism for unauthorized uses of culture. As codified in the 1976 Copyright Revision Act, the fair use doctrine’s four-part test is supposed to help fact finders determine whether an unauthorized use of another’s work is reasonable in light of copyright’s goals of promoting  cultural production. But, while the fair use test has evolved to address questions about the purpose behind an appropriation, the amount and substance of the work used, and the effects of the appropriation on the market for the work, the vital inquiry about the “nature” of the original work and the impact of unauthorized appropriation on its creative environment has been all but forgotten by lower federal courts. Combining doctrinal analysis, settler-colonial theory, and ethnographic fieldwork involving ongoing appropriations of copyrightable Indigenous culture, this article shows how this “forgotten factor” in the fair use analysis is key to assessing the real impacts unauthorized appropriations have on culturally diverse forms of creativity. Thus, if we are committed to the development of creativity in all of its varieties and natures, a rehabilitation of the forgotten factor is both urgent and necessary.

Looks like important reading to me.

Bay Mills Indian Community & State of Michigan Reach Settlement on Vanderbilt Casino

Here is a news article summarizing the settlement.

The last decision in this long-running dispute is here.

Additional Collateral Challenge to Guidiville Rancheria Casino Rejected

Here are the new materials in Sprawldef v. City of Richmond (N.D. Cal.):

130 Motion to Amend

131 Opposition to 130

134 Motion for Judgment on Pleadings

136 Reply in Support of 130

138 Opposition to 134

139 Reply in Support of 134

143 DCT Order

Prior post in this case here.

Materials in Law Firm Dispute over Nisqually Representation and Privileged Document

Here are the materials in Galanda Broadman PLLC v. Kilpatrick Townsend & Stockton LLP (Wash. Super. Ct.):

Complaint

Defendant’s Motion for Protective Order

Plaintiff’s Opposition to Motion for Protective Order

Reply in Support of Motion for Protective Order

Surreply in Opposition to Motion for Protective Order

Surreply to Surreply on Motion for Protective Order

Order on Motion for Protective Order

Defendant’s Motion for Summary Judgment

Plaintiff’s Opposition to Motion for Summary Judgment

Reply in Support of Summary Judgment

Order on Motion for Summary Judgment

Crosscut: “Native history is WA history, and tribes are helping schools teach it”

Here.

Take the quiz here.

U-M Ford School Talk with Riyaz Kanji and Bryan Newland — Dec. 1, 2020

Izhaadaa Giizhigowande